| 1,105 | 12 | 281 |
| 下载次数 | 被引频次 | 阅读次数 |
武术美育是中国式具身美育最为典型的代表,它是一种身心交互影响的体验性美育,强调身体-主体的自我塑造与自我培育。运用文献资料、专家访谈和逻辑分析等方法,研究与阐发武术势的身道逻辑及当代美育启示。研究指出:“势”的身道逻辑体现在“势”之基、“势”之筑、“势”之动、“势”之壮、“势”之合等5个阶段,是“可见的”身体之形与“不可见的”身体之能的和合过程。虽然它们各有侧重,但都属于身体-主体自我关怀的美育实践。武术“势”的身道逻辑主要有以意生势、以象取势、以势体道等3个维度,分别指向身体认知的“本体论”遵循,显微之间的“动力学”基础,下学上达的“方法学”路径。建立联觉体验的认知理念,超越视觉之困的美育实践;建立见微知著的传习模式,夯实身教为先的美育方法;滋养怡情养性的生命精神,开显身心合一的美育理念将是开显武术美育的主要路径启示。对“势”所蕴有的“可见的”与“不可见的”身道逻辑进行深入理解与把握,既是一种对超越视觉性与回归联觉性的美育自觉,更是对这种以联觉而建立的身心合一美育观的深度体现。
Abstract:Wushu aesthetic education is the most typical representative of Chinese style and aesthetic education,it is a kind of interaction of body and mind experience of aesthetic education,emphasis on the body-subject of self and self cultivation. Mainly using the literature material,expert interview and logical analysis,study and exposition of the Wushu of the Shendao logic and contemporary aesthetic education. It has been found that the Shendao logic of“shi”can be divided into five stages :the foundation of“shi”,the construction of“shi”,the movement of“shi”,the strength of“shi”,and the combination of“shi”. It is a process of the combination of“visible”body form and“invisible”body energy. The practice of the Shendao logic of Wushu'shi'is divided into three dimensions :generating shi through meaning,taking shi through images,and using shi to embody dao. These dimensions point to the “ontology” of body cognition,the “dynamics” foundation between microscopes,and the “methodology” path of learning from bottom to top, respectively. To establishing a cognitive concept of synesthesia experience and transcending the difficulties of physical aesthetic education of vision;Establish a learning mode of learning by observing the subtle and solidifying the aesthetic education method of putting personal education first;Nourishing the spirit of life that nourishes pleasure and nourishes nature,and opening up the aesthetic education concept of integrating body and mind. A deep understanding and grasp of the“visible”and“invisible”the Shendao logic inherent in“shi”is a conscious aesthetic education that transcends visual perception and returns to synesthesia,and a reflection of the aesthetic education concept of physical and mental unity established through synesthesia. The research provides important theoretical and practical enlightenment for combing the deep meaning of Chinese Wushu aesthetic education.
[1]习近平给中央美术学院老教授回信强调做好美育工作弘扬中华美育精神让祖国青年一代身心都健康成长[N].人民日报,2018:08-31(01).
[2]金玉柱,李丽,董刚.中国武术美育的本体意涵、价值旨趣与实施路径[J].西安体育学院学报,2023,40(1):98-104.
[3]余莲.势:中国的效力观[M].北京:北京大学出版社,2009:6.
[4]杨国荣.说“势”[J].文史哲,2012(4):84-91.
[5]孙刚.武术之“势”的美学思想解读[J].中国体育科技,2010,46(3):123-127.
[6]金玉柱.对“拳之势”的哲学论绎[J].成都体育学院学报,2017,43(4):87-92.
[7]李富刚.论武术套路之“势”[J].中国体育科技,2018,54(6):127-135.
[8]金玉柱.对“拳之势”的智慧论绎[J].北京体育大学学报,2019,42(8):148-156.
[9]戴国斌.“锻炼行道,练以成人”:中国武术求道传统的文化实践[J].体育科学,2020,40(2):24-31.
[10]江百龙.明清武术古籍拳学论析[M].北京:人民体育出版社,2008:312.
[11]孙禄堂.拳意述真[M].北京:中国书店出版社,1990:312.
[12]金玉柱.慎独:中国武术“练”之核心要义[J].成都体育学院学报,2020,46(1):67-71.
[13]马力.中国古典武学秘籍录[M].北京:人民体育出版社,2005:3.
[14]涂光社.因动成势[M].南昌:百花洲文艺出版社,2017:39.
[15]乔凤杰.文化符号:武术[M].北京:社会科学文献出版社,2014:115.
[16]陈保学.中国武术“以身为美”的理论建构与解构[J].体育学研究,2020,34(2):87-94.
[17]张再林.中国古代“势”的形上学的理论建构及解构[J].学海,2014(1):140-149.
[18]朱志荣.中国美学研究[M].北京:商务印书馆,2014:167.
[19]陈赟.回归真实的存在:王船山哲学的阐释[M].桂林:广西师范大学出版社,2015:404.
[20]贡华南.书之形与形而上:书道中的视觉超越及其归宿[J].陕西师范大学学报(哲学社会科学版),2015,44(4):37-43.
[21]张再林.“身体意向”:审美意象的真正所指:中国审美意象之身体现象学解读[J].烟台大学学报(哲学社会科学版),2013,26(4):10-20.
[22]侯敏.易象论[M].北京:北京大学出版社,2006:204.
[23]王夫之.船山全书[M].北京:中国人民大学出版社,2010:203.
[24]张震.气化的技击:传统武术“气”的象哲学阐赜[J].北京体育大学学报,2019,42(7):134-144.
[25]李丽.武术“刚柔”新释:基于触觉现象学的视角[J].西安体育学院学报,2019,36(4):457-463.
[26]朱志荣.论审美意象的创构[J].学术月刊,2014,46(5):110-117.
[27]杨国荣.论道[M].北京:中国人民大学出版社,2010:205.
[28]陈保学,金玉柱.中国武术:从“真伪之辩”到“重看之路”:张再林教授访谈录[J].体育与科学,2021,42(4):38-47.
[29]陈保学,金玉柱,王岗.中国武术身体美学的具身实践与内在逻辑[J].天津体育学院学报,2022,37(1):119-124.
[30]岳涛,戴国斌,刘洪.人类搏击的“生活化转向”及其对中国武术发展的启示[J].西安体育学院学报,2023,40(2):221-228.
[31]杨建营.基于民族复兴目标的武术教育之价值定位:培育刚健自强精神[J].天津体育学院学报,2021,36(3):293-299.
[32]刘旭光.“感官审美”论:感官的鉴赏何以可能[J].浙江社会科学,2017,38(1):119-126.
[33]张再林.作为“有味道的形式美”:中国古代审美中身体性维度的探析[J].西北大学学报(哲学社会科学版),2011,41(1):26-32.
基本信息:
DOI:10.13297/j.cnki.issn1005-0000.2023.04.013
中图分类号:G852
引用信息:
[1]金玉柱,李婉琳,李晨然,等.弘扬中华美育精神:中国武术“势”的身道逻辑及当代美育启示[J].天津体育学院学报,2023,38(04):455-461.DOI:10.13297/j.cnki.issn1005-0000.2023.04.013.
基金信息:
国家社会科学基金一般项目(项目编号:21BTY043)
2023-07-24
2023-07-24
2023-07-24